We’ve been debriefing …
… following our truly successful and incredibly tiring trip to the Edinburgh Festival we, the intrepid band of Nogs, have been debriefing to discover what we did, what we failed to do, whether we achieved what we wanted to achieve and, most importantly, where we go next!
For all those of you who helped us financially on our Kickstarter campaign, all those who came to see the show, those who sent messages of support, those who helped in various other ways, we have decided … we have enough possible/probable and improbable venues who want to book the show, that we’re touring next year! Huzzah! So thank you all!
Groliffe, the charming and slightly scary Ice Dragon will once again have to be coaxed into the van, as will the aged (well, three aged and one still young enough to be moist from the womb) performers, who, with aching limbs, loose skin and morals to match will moan and grumble about the price of service station coffee, the price of diesel, the price of … well, just about everything but … into the van they will get.
There is, of course, a huge amount of work to do before then. Putting together a tour is not an easy thing; for a start, everyone seems to want the same dates, and those who don’t, want dates next to another venue that is the other end of the country. We have to try and avoid the alphabetical tour: Monday Aberdeen, Tuesday Brighton, Wednesday Carlisle, Thursday Devizes … you get the picture. And then there are some venues that really, really, really want us but because they have a small seating capacity, they can’t afford us. We also have to make sure that the prime times, which with a family show, seem to be half term and weekends … that we are in the bigger venues where more people can get to see it; apart from anything else it makes financial sense for us.
Places like the Lighthouse Theatre, Poole, for instance has hundreds of seats, and when we were there last year, we filled quite a lot of them; this meant a good income for the theatre and for us too. It is so ridiculously expensive to tour these days. I don’t want to bore you but … five people on the road equals five wages, five sets of per deums, five hotel rooms … and then there’s the aforementioned diesel, the print runs of posters, flyers, programmes, and the insurance, the photographer, the venue booker, the PR, the … the … the … it goes on and on. So, in order to put together a tour, we have to be clever (not normally our strong suit), we have to be able to drive a hard bargain (again, we’re too nice), we have to be able to turn bookings down (really, really not easy when you’ve spent your whole life trying to get the ruddy things), we have to be grown-up and businesslike …
… do they appear to be grown-up businesslike to you?
Well, actually we are … though we do have a tendency to fall back to our default setting which is … “you can’t afford it? Never mind … we’ll see what we can do …” which usually ends up that we take a bit of a financial hit but the show is so important to us, that we want everyone who wants to see it, see it! And money is only money!
For those of you who are artists; this is what money looks like.
So, watch this space over the coming months and we’ll keep you up to date with how the preliminary work (sounds exciting, doesn’t it) is coming along and as soon as we have definite dates and venues all booked in we’ll put that up too!